STEVE SILVER
- SAG-AFTRA,
- AEA (EMC)
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CHICAGO PD: "The Forgotten" (NBC/Universal) (Performance Video) Quicktime
Role: DETECTIVE DONAHUE (Guest Star) Ep. 0616
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HUSBAND/FATHER in "The Other Place" (Performance Video) Quicktime
Role: IAN (husband/father). Ian comes home to find his wife with a bruise on her face after a fight with their daughter. When he confronts her, she reveals a shocking event.
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FATHER/HUSBAND in "1984" (Steppenwolf Theatre) (Performance Video) Quicktime
Role: WINSTON'S FATHER. Dream sequences used in projections during the stage adaptation of George Orwell's "1984", in which Winston is flooded with memories of his past, and struggling to hold on to his identity.
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FATHER in "Idol" (independent film) (Performance Video) Quicktime
Role: ROY (father). Roy shares an intimate moment with his daughter after reluctantly allowing her to do something that could risk his entire future.
Résumé Print Résumé
Film and Episodic | ||
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Chicago PD (#616) |
Det. Donahue (Guest Star) |
Dir. Eriq La Salle/NBC |
Chicago Fire (#306) |
Manager |
Dir. Rod Holcomb/NBC |
The Lost Story of Emmett Till: Trial in the Delta |
J.J. Breland (Principal) |
Dir. A. Moseley/NBC Chicago |
Chicago Med (#320) |
Alex Lambros (role cut) |
Dir. Michael Waxman/NBC |
Nineteen Eighty-Four |
Winston's Father (Supporting) |
Dir. Hallie Gordon/Steppenwolf |
Jeffrey Lake Project |
Sheriff Harrison (Supporting) |
Dir. M. Peterson/Inca Market |
Unheard |
Officer Martin (Supporting) |
Dir. V. Residbegovic/CATV |
Idol |
Roy (Principal) |
Dir. D. Sherman/Columbia Col. |
Commercials, Industrials, and Voiceover | ||
Infosec |
Principal |
Ray Gordon/Food Chain Films |
Point A to Point B Transitions |
Narrator |
Catherine Morgan |
Theater | ||
Trial in the Delta: The Murder of Emmett Till |
J.J. Breland |
Collaboraction Theatre |
Nineteen Eighty-Four |
O'Brien, Tillotson/Charrington [u/s] |
Steppenwolf Theatre |
Company |
Larry |
Mercury Theater |
Mosque Alert |
Daniel Baker |
Silk Road Rising Theatre |
The Other Place |
Ian |
Profiles Theatre |
An Evening at the Talk House |
Dick, Bill [u/s] |
A Red Orchid Theatre |
Deathtrap |
Sidney, Porter [u/s] |
Drury Lane Theatre |
The Pajama Game |
Hasler |
Theatre at the Center |
Guys and Dolls |
Nathan Detroit |
Light Opera Works |
All Shook Up |
Warden/Sheriff Earl |
Theatre at the Center |
Sylvia |
Greg |
Oil Lamp Theater |
A Crime in the Neighborhood |
Mr. Green/Det. Small |
City Lit Theater |
Training | ||
Advanced TV/Film |
Accomplished on Camera |
Brittani Ward |
On-Camera II/III |
Acting Studio Chicago |
Chris Agos, Adria Dawn |
On-Camera I |
Green Room Studio |
S. Bradley; A. Acker; C. Rioux |
TV/Film Workshop |
Green Room Studio |
AJ Links, Lauren Phillips |
TV/Film Workshop |
Vagabond School of the Arts |
Becca McCracken, S. Cherniet |
Advanced Police Tactics for Actors |
Vagabond School of the Arts |
Jeremy Earl |
On-Camera Audition Rep |
Vagabond School of the Arts |
Michael McCracken |
Commercial Audition Workshop |
Vagabond School of the Arts |
Michael McCracken |
On-Camera Workshop |
Vagabond School of the Arts |
Holly Allen |
Improv for Actors |
Second City Training Center |
Ryan Archibald |
Improv I/II/III |
iO (ImprovOlympic) |
C Doyle; S Messing; F Walsh |
Advanced Scene Study |
Acting Studio Chicago |
Dado |
Master Scene Study |
Acting Studio Chicago |
Shade Murray; Henry Wishcamper |
Master Scene Study |
Remy Bumppo Theatre |
Nick Sandys, et al |
Monologue Workshop |
Vagabond School of the Arts |
Erica Daniels |
Introduction to Viewpoints |
Vagabond School of the Arts |
Jonathan Barry |
Theatre Audition Workshop |
Vagabond School of the Arts |
Adam Belcuore |
Shakespeare Monologue I/II |
Susan Hart, Jeffrey Carlson |
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Acting the Song |
Porchlight Theatre |
Nick Bowling, Austin Cook |
Musical Theatre Workshop |
Vagabond School of the Arts |
Sam Samuelson |
Monologue |
Acting Studio Chicago |
Kurt Naebig; Linda Gillum |
Voiceover |
Acting Studio Chicago |
Norm Boucher |
Advanced Character Study/Style |
Gately Poole Conservatory |
Kathryn Gately |
Advanced Meisner Technique |
Gately Poole Conservatory |
Kathryn Gately, Rick Poole |
Scene Study |
Gately Poole Conservatory |
Kathryn Gately, Rick Poole |
Voice and Movement |
Gately Poole Conservatory |
Kendra Holton Helton |
On-Camera Technique |
Gately Poole Conservatory |
Rick Poole |
Scene Study, Monologue, Cold Reading |
Act One Studios |
Steve Merle |
Shakespeare; Acting, Scene Study |
Yokohama Theatre Group |
Andrew Woolner |
Voice and Speech; Body and Action |
Yokohama Theatre Group |
Graig Russell, Tania Coke |
Stage Combat (Staff & Sword, Unarmed) |
Yokohama Theatre Group |
Dueling Arts International |
Musical Theatre Intensive |
Carnegie Mellon University |
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Physical Characteristics / Measurements |
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Height: 5'8" |
Weight: 157 lbs |
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Advanced Spanish, Intermediate Japanese, Photography, Teaching, Whistling, Writing/Editing, Combat - Stage, Singer, Vocal Range: Baritone, Vocal Range: Bass, Vocal Style: Legit, Voiceover, Whistler, American - New York Accent, American - Southern Accent, British - BBC English Accent, German Accent, Jewish/Yiddish Accent, Spanish Accent
VOCAL RANGE: E2-G4 (Bass-Baritone). Private vocal training/coaching with Vince Lonergan, Gillian Kelly, Andrew Blenderman. Dialects: New York, Yiddish/Jewish, Southern, British (RP) Languages: Spanish (advanced), Japanese (intermediate). Professional experience: educator, photographer. Additional skills and training: Basic training in stage combat (unarmed, staff, sword); writing; gardening; whistling. Graduate degree in Education. Extensive experience living and working abroad.