ZACH FIKE HODGES
- AEA
-
-
RENT/Singing clip (Performance Video) Quicktime
-
Dramatic/Contemp Monologue (Performance Video) Quicktime
Isaac's Eye by Lucas Hnath A sharp Isaac Newton uses visions of grandeur to help enlist his fiancee in making his dreams come true.
-
COWBOY/GRUFF (Performance Video) Quicktime
-
Reel (Performance Video) Quicktime
0:00-0:10 (filmed dramatic monologue) 0:10-0:20 (contemporary play) 0:20-0:36 (poetic short film) 0:37-0:49 (filmed comedic monolouge) 0:49-1:01 (lip synch)
-
Movement/Poetry short film (Performance Video) Quicktime
Poetic, movement based, expressionistic short film, "A Fine Line" by Diana Westphal and Leo Braun
-
-
Singing Clip (Performance Video) Quicktime
"Who I'd Be" from SHREK the musical by Jeanine Tesori and David Lindsay-Abaire
Résumé Print Résumé
www.zfhodges.com |
(he/they) |
LGBTQ+ / Jewish |
Direct Contact 803-445-7753 |
zachfikehodges@gmail.com |
LOCAL HIRE: NY, SC, ATL, DC |
Film | ||
---|---|---|
Eleanor the Great |
Supporting |
Scarlett Johansson / Sony PC |
My Bird Is Sick! |
Supporting (opposite Janeane Garafolo) |
Rebecca Halfon / Dirty Films |
A Fine Line (short/Holborn Studios/London) |
Principal |
Diana Westphal / Leo Braun |
Commercial | ||
Allegheny Health Network |
Curfew Productions |
Madeline Clayton |
Off Broadway | ||
Arcadia |
Ezra Chater |
Eric Tucker/BEDLAM |
Public Enemy |
Billing (u/s) |
Hal Brooks / The Pearl |
*Spring Awakening (devised solo piece) |
Moritz, et. al |
Alex Randrup / Theatre Row |
Regional Theatre | ||
*RENT in Concert (Nat'l Symphony Orchestra) |
Paul/The Man/Ensemble |
Sammi Cannold / Kennedy Center |
Angels in America: Perestroika |
Louis Ironson |
Eric Tucker/BEDLAM |
Angels in America: Millennium Approaches |
Louis Ironson |
Eric Tucker/BEDLAM |
(Elliot Norton Award Nomination |
Outstanding Featured Performance |
|
*Riddle of the Trilobites |
Isotelus Rex |
Lee Sunday Evans / Flint Rep |
*The Book of Will |
Ralph Crane/Horatio |
Davis McCallum / HVSF |
Love's Labour's Lost |
Dumaine/Boyet |
Ian Belknap / The Acting Co. |
Twelfth Night |
Valentine |
Moritz von Stuelpnagel / HVSF |
*Pride and Prejudice (adt. Kate Hamill) |
u/s Mr. Collins/Ms. Bingley/Wickham |
Amanda Dehnert / HVSF |
* denotes World Premiere |
||
New York Theatre | ||
FIRE! LEMON! BRIDGE! (reading) |
Less Sad Person |
Lily Riopelle / Clubbed Thumb |
A Way Home (reading) |
Junior |
Mia Anderson/Ntl Black Theatre |
Malcolm (reading) |
Ensemble |
Kevin R. Free / Sheen Center |
Select Educational Theatre | ||
*Thank You, Fifteen |
Norman Desmond Lynn |
Mike Donahue / Fordham |
The Censor |
Foolbrook/Actor |
Sarah Davey-Hull / Central |
Agamemnon |
Watchman/Aegisthus |
Tea Alagic / Fordham |
Training | ||
MA Acting |
Royal Central School of Speech and Drama |
|
BA Acting |
Fordham University Lincoln Center |
|
Moscow Art Theatre School |
||
SC Governor's School for the Arts and Humanites |
||
On-Camera Training | ||
Bob Krakower |
||
Scene Study | ||
James Calleri |
Tina Benko |
Kenny Leon |
Special Skills | ||
Singer: Baritenor to G, Contemporary+Folk Musical Theatre |
Combat: rapier, hand to hand, |
firearm experience |
reads Hebrew and Cyrillic phonetically |
intermediate tap dance |
basic Alto Saxophone |
Physical Characteristics / Measurements |
||
---|---|---|
Height: 5'11" |
Weight: 120 lbs |
British RP/Posh, Clown, Devising, IPA Proficient, Laban Technique, Rapier, Reads Hebrew, Storytelling, Unarmed/knife combat, Viewpoints, Swimming - ability - general, Dance Tap, Improvisation, Licensed Driver, Singer, Vocal Range: Bari-Tenor, American - New York Accent, American - Southern Accent, American - Standard/General Accent, British - BBC English Accent, Italian Accent
Teaching Artist: New York Theatre Workshop; Hudson Valley Shakespeare Festival UCB Improv Training Level 101