SUSIE GRIFFITH
- AEA,
- AGMA
Résumé Print Résumé
Representative Theater | ||
|---|---|---|
The Year of Magical Thinking |
Joan (u/s) |
Remy Bumppo |
The Bushwick Girls |
Clara Winslow |
Wayward Sisters |
Voice of Good Hope |
Nancy Earl |
City Lit Theatre |
An Inspector Calls |
Super |
Nat'l Thea./Chgo Shakespeare |
That Night |
Karen |
Erasing the Distance |
Bandera, Texas |
Genevieve |
Wayward Sisters |
Speak Up |
Cheryl |
Erasing the Distance |
J.B. |
Ensemble |
City Lit Theatre |
Breathe With Me |
Olive |
Erasing the Distance |
Eurydice |
Big Stone |
Promethean Theatre |
All's Well that Ends Well |
The Countess |
Stage Left |
Much Ado About Nothing |
Ursula |
Rasaka Theatre |
Our Enemies |
Olivia |
Silk Road Rising |
Clybourne Park |
Bev/Kathy |
Open Door Rep |
Long Day's Journey into Night |
Mary Tyrone (u/s) |
Court Theatre |
Pirandello's Henry IV |
Matilda (u/s) |
Remy Bumppo |
The How and the Why |
Zelda (u/s) |
Timeline Theatre |
Commercial | ||
A Very Fatal Murder (V/O) |
Pauline Farmer |
Dir: Ryan Nantoli |
Pathway to Living |
Mother |
Dir: Craig Bass |
Blue Cross Blue Shield |
Principal |
Dir: Kevin Costello |
Blacksite: The Musical! |
Supporting |
Dir: David Holcombe |
The Tenth Year |
Principal |
Dir: Benjamin Dib |
American Movie Classics |
MOS |
Dir: Steve Weiss |
Shut Eye |
Principal |
Dir: John Covert |
Santini's Last Dance |
Principal |
Dir: Al Jenzeh |
Changinman |
Supporting |
Dir: Pal Dybel |
Vinyasa |
Supporting |
Dir: Michael Cowan |
Physical Characteristics / Measurements |
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|---|---|---|
Height: 5'5" |
Weight: 138 lbs |
Eyes: Hazel |
Hair Color: Blonde |
Hair Length: Short |
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Former Pilates Teacher, Good with animals, Published Author, Aerobics, Equestrian - General, Karate - Kenpo, Running - General, Swimming - ability - general, Yoga, Dancer, Licensed Driver, Vocal Range: Alto, American - Boston Accent, American - Southern Accent, British - BBC English Accent, British - Scouse/Liverpool Accent, French Accent, Fluent French
Susie Griffith is proud to have recently worked with Remy Bumppo as understudy for The Year of Magical Thinking. Other recent credits include Zoom theater work with Wayward Sisters, Nancy Earl in City Lit’s Voice of Good Hope, ensemble work with Chicago Shakespeare in the National Theatre’s production of An Inspector Calls, and Karen Daniel in That Night with Erasing the Distance. She has worked with numerous Chicago theaters, such as Court, Silk Road, Timeline, Stage Left and Steep.