KANE RAMSEY JABBAR
- NON-UNION
Résumé Print Résumé
Theatre | ||
|---|---|---|
The Actor's Nightmare  | 
Henry  | 
Chicago, IL  | 
Footloose the Musical  | 
Wes Warnicker  | 
The Miracle Center  | 
The Chronicles of Narmia  | 
Aslan  | 
Chicago, IL  | 
Mary Poppins  | 
Bank Chairman  | 
The Miracle Center  | 
Grease  | 
Eugene  | 
The Miracle Center  | 
Shrek the Musical  | 
Shrek  | 
The Miracle Center  | 
Taking Control  | 
Waiter  | 
Chicago, IL  | 
Guys and Dolls  | 
Harry the Horse  | 
John Engeman Theater  | 
Education | ||
Columbia College Chicago  | 
Acting  | 
Chicago, IL  | 
Training | ||
Shurteff to Scene  | 
Jennie Moreau  | 
Acting Studio Chicago  | 
Musical Improv Conservatory 1  | 
Amber Linde  | 
The Second City  | 
Musical Improv Conservatory 2  | 
Mo Phillips-Spotts  | 
The Second City  | 
Musical Improv Conservatory 3  | 
Amanda Murphy  | 
The Second City  | 
Conservatory I  | 
Lisa Bany  | 
The Second City  | 
Conservatory 2  | 
Laura Maynard  | 
The Second City  | 
Improv for Actors I  | 
Emily Anderson  | 
The Second City  | 
Improv for Actors II  | 
Law Tarello  | 
The Second City  | 
Physical Characteristics / Measurements | 
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|---|---|---|
Height: 6'4"  | 
Weight: 210 lbs  | 
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Editing, Film studies, Rowing, Writing, Baseball, Basketball, Billiards/Pool Player, Bowling, Combat - Stage, Cycling, Cycling - Mountain Biking, Football, Frisbee, Jump Rope, Roller Skating, Rollerblading, Running - General, Running - Sprint, Soccer, Swimming - ability - general, Swimming - backstroke, Swimming - breast stroke, Swimming - butterfly, Swimming - freestyle, Volleyball, Weight Lifting, Yoga, Clowning, Comedian, Dance Modern, Dance Swing, Host, Improvisation, Modeling, Singer, Vocal Range: Bari-Tenor, Vocal Range: Tenor, American - Boston Accent, American - New York Accent, American - Southern Accent, American - Standard/General Accent, American - Texan Accent, British - Cockney Accent, Irish Accent, Scottish Accent
As a young actor, it has been a lifelong goal to learn the fundamentals of improvisation and apply them to my own performance capabilities. As a longtime Chicagoan, and as a child and then teenager, I took several comedy and performance-based classes. I made every effort to see as much live theatre as possible and was rewarded to see some of the greatest shows the city has had to offer.