MATTIE PARKER
- NON-UNION,
- AEA (EMC)
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MT Ballad baritenor (21 sec, legit) (Performance Video) Quicktime
Marry Me a Little from "Company." Naive love. An ideal for someone who cares deeply but has never felt it. Toying with myself, my imagined partner, and my future.
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MT Uptempo baritenor (33 sec, pop mix) (Performance Video) Quicktime
The Way That It Has to Be from "Maybe Happy Ending." So many things in my life and in my body that are out of my control. Coming to terms with the inevitable; trying to muster courage and humor in the face of sadness.
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MT Uptempo-Ballad baritenor (32 sec, legit) (Performance Video) Quicktime
Finishing the Hat from "Sunday in the Park With George." Picking my art over my lover. Other things matter but they will always come second. This life is just a distraction, temporary, the art is eternal. And yet, why does it all make me ache so?
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Film/TV clip (31 sec) (Performance Video) Quicktime
From "Rehearsal? by Jialin Yu. Trying to get the kids excited about the theatre, about art! They can be a lot to manage. And I will not let their the fact that they are amateurs bring down our big night. It's Shakespeare damnit!
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Guitar Reel (Performance Video) Quicktime
Last Night on Earth by Green Day; That Funny Feeling by Bo Burnham; Eleanor Rigby by the Beatles. Hum along as I strum along.
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Short Comedic Mono Clip (14 sec) (Performance Video) Quicktime
Short comedic excerpt from “Coupling” by Alan Brooks. A moment of sincerity as I try to convince them that we can have a future together, breaking down walls with humor. - 14 seconds
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Short Dramatic Mono Clip (15 sec) (Performance Video) Quicktime
Short dramatic excerpt from "Red" by John Logan. A tipping point of pointed frustration and pity. Butting heads with my mentor who I used to respect. - 15 seconds
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MT Ballad baritenor (17 sec, contemporary) (Performance Video) Quicktime
It Only Takes a Taste from “Waitress” by Sara Bareilles. A moment of vulnerability, confessing feelings I've been harboring despite my fears. - 17 seconds
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MT Uptempo baritenor (11 sec, contemporary) (Performance Video) Quicktime
Never Getting Rid of Me from "Waitress". Declaring my INTENSE love & obedience; sweet and well-meaning I needs to make them understand.
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MT Uptempo baritenor (16 sec, contemporary) (Performance Video) Quicktime
Man Up from "The Book of Mormon". Letting go of doubts and inhibitions; a new found excitement and confidence. -16 seconds
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Pop-Rock Uptempo baritenor (18 sec) (Performance Video) Quicktime
"Moving Out (Anthony's Song)" by Billie Joel. Detachment belaying the pain of working for the machine, not having any control of your life. A call to defying the status quo. - 18 seconds
Résumé Print Résumé
FILM | ||
---|---|---|
TETHERED |
Lead |
Random Chance |
JAMIE & JOHN |
Lead |
Artima Sakulkoo |
THE REHEARSAL |
Supporting |
Jialin Yu |
THEATRE | ||
UNDERGROUND |
Maynard |
NYTF+Avram Theatre/Akil DuPont |
CURTAIN CALL |
Lincoln |
Gallery Players/Trent Dawson |
COUPLING |
Doug, Nick, Dillon |
PhoeniciaPlayhouse/Alan Brooks |
SPRING AWAKENING |
Otto (Melchior/Moritz u/s) |
East Dallas Arts/Jeremy L Hays |
SPAMALOT |
Sir Robin |
Lofte Theatre/Kevin Colbert |
BARE |
Matt Lloyd |
Theatre TCU/Penny Ayn Mass |
SWEENEY TODD |
Beadle Bamford |
Theatre TCU/Harry B. Parker |
NIGHT OF THE LIVING DEAD |
Gary |
East Dallas Arts/Jeremy L Hays |
THE EXILE & THE ONION GIRL |
Lades |
ThespianPlayworks/CarolynGreer |
ROMEO & JULIET |
Peter |
Trinity Shakespeare/TJ Walsh |
TWELFTH NIGHT |
Valentine |
Trinity Shakespeare/TJ Walsh |
TERRORVISION |
Collector/Viper (puppetry) |
Terrorvision Haunted House |
EDUCATIONAL | ||
TARTUFFE |
Orgon |
Theatre TCU/Alan Shorter |
SISTER ACT |
Monsignor O'Hara |
Theatre TCU/Jennifer Engler |
EDUCATION/TRAINING | ||
BFA Musical Theatre |
Texas Christian University |
|
ACTING |
Meisner |
Jennifer Engler |
Stanislavsky |
TJ Walsh |
|
ON CAMERA |
Jennifer Engler |
|
VO |
Lydia Mackay |
|
DIALECTS |
American South, RP, Scouse, Irish |
Krista Scott |
STAGE COMBAT |
Rapier |
Jeff Colongelo |
Hand to Hand |
Lydia Mackay |
|
MOVEMENT |
Laban |
Jennifer Engler |
Suzuki |
Penny Ayn Maas |
|
Archetypes |
Penny Ayn Maas |
|
Clowning |
Penny Ayn Maas |
|
SHAKESPEARE |
Krista Scott, TJ Walsh |
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SPECIAL SKILLS | ||
Instruments: |
Clarinet, Guitar, Chordal Piano |
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Skills: |
Puppetry, Cycling, Swim Coach |
Physical Characteristics / Measurements |
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Height: 5'10" |
Weight: 170 lbs |
Chordal Piano, Clarinet, Cooking, Directing, Guitar, Improv Comedy, Pat head/Rub Belly, Playwright, Poet, Short Story Writer, Sight Reading, Stage Combat, Swim Instructor, Tongue Pop - just ask, Bowling, Combat - Stage, Cycling, Equestrian - General, Fishing, Kayaker, Lifeguard, Running - General, Soccer, Swimming - ability - general, Swimming - backstroke, Swimming - breast stroke, Swimming - freestyle, Chef, Clarinet, Comedian, Gamer (Console), Guitar, Impressionist, Improvisation, Licensed Driver, Piano, Singer, Vocal Range: Bari-Tenor, Vocal Range: Baritone, Vocal Range: Bass, Vocal Style: Legit, Voiceover, American - Minnesota Accent, American - New England Accent, American - New York Accent, American - Southern Accent, American - Standard/General Accent, American - Texan Accent, British - BBC English Accent, British - Scouse/Liverpool Accent, Irish Accent
Mattie Parker (they/them) is a Brooklyn based artist and believes they ARE a New Yorker despite only living here for 4 years. Another thing they did for four years was attend Texas Christian University where they got a BFA in Musical Theatre. As a performer they create sound, movement, & sometimes emotion - what more could you ask for! Besides acting, Mattie is a human being that funnels their brain thoughts into poetry, playwrighting & prose. Mattie did not use chatGPT to write this.