RON LIPSKI
- SAG-AFTRA

- Chicago Med (NBC) - Drama (Performance Video)
Quicktime
Skinny and scruffy, Gus is a neighbor of Maya, whom he brings to the hospital in his car when she goes into labor. It turns out that Gus is dealing drugs, and his car is full of carfentanyl...CO-STAR
- Sizzle Reel (Performance Video) Quicktime
- Drama - Scene from The Red Line (Performance Video) Quicktime
- Comedic Clip (Performance Video) Quicktime
- Richard II (Shakespeare) (Performance Video) Quicktime
- Marvel Villain/Criminal Interrogation (Performance Video) Quicktime
- Edgy Cop/Rocker (Performance Video) Quicktime
- Comedy - "Dark Age" (19 sec) (Performance Video)
Quicktime
A well-meaning hipster, but slightly slow, lost boy.
- Drama Monologue: Reach from 'Down the Road' by Lee Blessing (1 min) (Performance Video)
Quicktime
Bill Reach discusses how it feels to commit his crimes.
- Comedy/Improv - "Irregular Fruit" (14 sec) (Performance Video)
Quicktime
Improvised. A sleazy job applicant hits on his interviewer. Winner of Best Comedy at Lake County Film Festival. Dir. Nathan Adloff.
- Drama - "Assassins" (16 sec) (Performance Video)
Quicktime
A brooding, edgy step-son plots to murder his new step-father.
- Theatrical Reel (Performance Video) Quicktime
- Drama - "Kidnapped" (19 sec) (Performance Video)
Quicktime
A distraught brother uses military training to desperately search for his kidnapped sister.
- Animation VO (Audio Tracks) Quicktime
- Commercial VO (Audio Tracks) Quicktime
Résumé Print Résumé
Vaccinated and boosted for COVID-19. | ||
---|---|---|
www.vimeo.com/ronlipski/sizzle for downloadable reel | ||
TELEVISION | ||
CHICAGO MED |
Co-Star |
NBC |
THE LOST STORY OF EMMETT TILL: TRIAL IN THE DELTA* |
Co-Star |
NBC (Peacock) |
DARK AGE (Webseries) |
Recurring Co-Star |
Dir. Kent Malloy |
*Emmy Award 2022 |
||
FILM | ||
FEEDING FRENZY |
Lead |
Dir. Mike Stoklasa/Jay Bauman |
CRITICAL NEXUS |
Supporting |
Dir. Tirf Alexius |
KIDNAPPED (Short) |
Lead |
Dir. Jason Harper |
IRREGULAR FRUIT (Short) |
Supporting |
Dir. Nathan Adloff |
CREATIN’ CRETINS (Short) |
Supporting |
Dir. Ron Lipski |
ASSASINS (Short) |
Lead |
Dir. Eli Vazquez |
BOUND (Short) |
Supporting |
Dir. Olivia Curry |
THEATRE - Chicago | ||
TRIAL IN THE DELTA |
Clerk |
Collaboraction |
BRIGHTON BEACH MEMOIRS |
Stanley |
North Shore Theatre |
OUTLAW |
Darren |
Prop Theatre |
PAPERBACK WRITER |
Stu |
Prop Theatre |
DON’T CALL ME LORETTA |
Arland |
Prop Theatre |
TRAINING | ||
Acting |
John Markland |
Markland Studio |
Advanced On Camera |
Janelle Snow |
Chicago |
Method |
Stephanie Feury |
Los Angeles |
Private Coaching |
Beth Ryne |
Los Angeles |
Audition |
Graham Shiels |
Los Angeles |
Comprehensive Study |
Identity School of Acting |
Los Angeles |
Scene Study (Stanislavsky) / On-Camera |
Gregory Berger-Sobek / Berg Studios |
Los Angeles |
Improv |
UCB / Billy Merritt |
Los Angeles |
Scene Study (Stella Adler) |
Marjorie Ballentine |
Los Angeles |
Meisner |
John Ruskin |
Los Angeles |
On-Camera |
Vincent Chase |
Los Angeles |
Audition |
Stan Kirsch |
Los Angeles |
Cold Reading |
W. Morgan Sheppard |
Los Angeles |
Commercial |
Killian McHugh |
Los Angeles |
On-Camera |
Jane Alderman |
Chicago |
Master Scene Study |
Steve Scott |
Chicago |
Improv |
Second City - John Hildreth |
Chicago |
Scene Study |
Risa Baron Garcia |
Chicago |
Meisner |
Eileen Vorbach, Laura Sturm |
Chicago |
Commercial |
Joanne Sylvestrak |
Chicago |
Monologue |
Kurt Naebig |
Chicago |
Cold Reading |
Adrianne Cury |
Chicago |
Private Coaching |
Mary Ann Thebus |
Chicago |
Accents | ||
Eastern European |
Irish |
Scottish |
Cockney |
Brooklyn |
Southern |
Boston / New England |
Physical Characteristics / Measurements |
||
---|---|---|
Height: 5'6" |
Weight: 165 lbs |
Eyes: Hazel |
Hair Color: Black |
Hair Length: Undercut |
Jet Skier, Running - General, Running - Sprint, Scuba Diving, Skateboarding, Swimming - ability - general, Improvisation, Licensed Driver, Whistler, American - Boston Accent, American - New York Accent, American - Southern Accent, British - Cockney Accent, Irish Accent, Russian Accent